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Art Forum Program

Semester 2 2000

July 14 - September 29

 

July

Steig Persson

Blair French

Fiona Murphy

August

Peter Whyte

David Rosetzky

Jennifer Craik

Alessio Cavallaro

September

Ruth McDermott

Rod Bamford

Judith Blackall 

Angela Ndalianis


14 July   Steig Persson

A Melbourne based painter, Stieg’s work is included in  Death and Decoration at Plimsoll Gallery. The talk will concentrate on his recent work looking at the use of the "black subject". He is represented in many important collections including the Museum of Modern Art, New York, National Gallery of Australia, Museum of Contemporary Art, Sydney. You can see examples of Steig Persson’s work at www.contemporaryart.com.au
 

 

21 July      Blair French

Blair Frence is a writer and curator based in Sydney. He is editor of Photo Files: An Australian Photography Reader (Sydney: Power Publications and the Australian Centre for Photography, 1999) whilst his most recent curatorial project is the exhibition of photo and video art Perfect Strangers opening at the Centre for Contemporary Photography, Melbourne in early August (2000). Blair is presently writing a PhD thesis at the University of Sydney on the photographic image in contemporary Australian art.

 

28 July     Fiona Murphy

A Victorian ceramicist, Fiona Murphy will be at the School of Art as a visiting scholar for a one week period over July and August. She will be talking about her current exhibition at Christine Abrahams Gallery (14th July ­ 10th August), and will also show slides of work included in the Frankfurt International Craft Triennale in September, and "Return to Beauty" in the recent Adelaide Festival.
 

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4 August     Peter Whyte

Peter Whyte trained as a graphic designer in Melbourne and currently works as a photo/graphic designer in Hobart. He was awarded a Churchill Fellowship in 1999 to study digital imaging in USA, Europe and Asia, and research into export markets for Tasmanian markets.
 

11 August     David Rosetzky

Melbourne based artist David Rosetzky will screen and discuss his recent video portrait work in relation to advertising, art and screen culture. David is a founding member of the artist run initiative 1st Floor artists and writers space in Melbourne. He has exhibited in Melbourne, Sydney, Adelaide, Glasgow, Edinburgh, New York, Dunedin and Copenhagen. His work is included in Heart on Your Sleave at the Plimsoll Gallery.
 

18 August     Jennifer Craik

Jennifer Craik is currently a Visiting Fellow at the Centre for Cross-Cultural Research at the ANU, Canberra. She is on leave from the School of Film, Media and Cultural Studies at Griffith University, Brisbane. Her research interests are in the fields of cultural studies and cultural policy: primarily, fashion, tourism, media policy and cultural development, which are themes of a book she is currently writing. This paper will explore playfully how the Aussie body is constructed and projected through the ways in which it is clothed.  
 

25 August     Alessio Cavallaro

Alessio Cavallaro is producer and co-curator of new media projects, Cinemedia at Federation Square, Melbourne. Until recently, Alessio was Director of dLux media arts, one of the Australia's leading screen arts organisations; co-editor of OnScreen, the screen and techno-arts supplement in RealTime arts magazine; and an inaugural member of the Australia Council's New Media Arts Fund. Alessio will provide a preview of the new Screen Gallery at Federation Square. The gallery, due to open mid 2001, will be Australia's premier international screen arts exhibition venue, an immersive space where multimedia practice and theoretical  speculations about all forms of the moving image will be in constant energetic re-negotiation. The presentation will include examples of recent experimental screen-based artworks. 

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1 September    Ruth McDermott

One half of the design team "Ovo Design" Ruth will speak about the duo's designs and some of the theoretical ideas behind their work, in particular the body of work exhibited at Object galleries in February, 2000 and then subsequently exhibited at the Salone del Mobile in Milan in April in the invitation-only Satellite section and the Olympic Arts Festival in Sydney. She will also include a discussion of her latest research into new materials and processes for lighting which include both craft and mass production techniques.     www.ovo.com.au

 

8 September   Rod Bamford

Rod Bamford designs ceramic products for mass production and makes sculptures based on more idiosyncratic intellectual interests. Both endeavours share an interest in the evolution of contemporary ceramics in a ‘post industrial’ era and reflect his interest in the way that technological, information and organisational factors associated with industrial development alter our social understanding of the creative process and the relationships we have to objects, particularly domestic objects and spaces. Rod has undertaken a number of international residencies and his teaching positions include Head of Studies (Fine Art and Ceramics) at the National Art School, and Visiting Lecturer at Ohio State University. Rod will be at the School of Art as  visiting scholar for a one week period.

 

15 September        Mid Semester Break

 

22 September     Judith Blackall 

Judith Blackall is the Head of Exhibitions and Artistic programming at the Museum of Contemporary Art. She will talk about her many years of experience working in the Italian artworld from 1981 ­ 1997, including many years experience running the Arthur Boyd Studio for Australian Artists in Tuscany.

 

29 September   Angela Ndalianis

Angela Ndalianis is senior lecturer in cinema and new media studies at Melbourne University. She is currently completing a book on the relationship between the seventeenth century baroque and contemporary entertainment media. Her presentation will explore some of the formal, cultural and aesthetic parallels that exist between the seventeenth century baroque and contemporary entertainment forms - which themselves are characterised by a neo-baroque logic. Drawing on examples ranging from C17th painting, sculpture and theatre to late C20th/early C21st films, comics, and theme park attractions, this paper will outline how some of these overlaps reveal themselves.
 

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